T H E B L A C K S H I P
A N D G I F T S
A series of creations based on the history of the Black Ships in Yokohama.
In 1853, the arrival of Commodore Perry and the Black Ships urged Japan to sign the Kanagawa Treaty between Japan and the US, which led to open up the country and facilitate its modernisation. Due to the lack of cultural and technological knowledge at the time, Japanese people applied imagination on the gifts brought by Perry. They inspired by the content with low accuracy from Kawaraban, newspapers or broadsides with one or two pages of illustrations and writings. Four examples of their imaginations present here, including the black ship, the rare horn, the steam train, and the telegraph.
The project also highlights the phenomenon of fake news and facts today. People still have the freedom to believe reports or alternative facts.
Theme: Artist in Residence Programme 2019, BankART
Exhibition: Open Studio, BankART Station, Yokohama
Collaborator: Hiroki Yokoyama
Publication: Selected for the Social Art Award Book 2019
Prize: Honorable Mention and Shortlist
Professional / Installation Art > Conceptual Art
The black ships were considered as a tremendous dark continent floating on the sea.
The rare horn was cut from a mythical creature Qilin.
The steam train moves forward by animals run inside. Sufficient dog food is provided as fuel in the trailing carriage.
Perry's American interpreter heard a clam crying on the beach around Yamashita and realised the clam was missing her son, and then he put the clam into the sea.
Research & Ideation
History of Black Ships .
Tests and Making.